Whos Winning the Mgk Eminem Beef
Photo via consequenceofsound.net
Two corking arguments have shaken rap to its core this year: One took place in the bound: "Is J Cole dope or wack?" This groovy Cole debate seemingly split fans downwards the middle upon the release of his fifth album on Apr 20. The second jolted hip-hop on Fri afterwards a legend stepped back in the booth and answered the call subsequently his lyrical manhood was challenged:
"Who won? Eminem or Machine Gun Kelly?"
Following Eminem's initial diss on his new album Kamikaze two weeks ago, Kells drew blood with "Rap Devil", a direct hitting against Slim Shady for intimating he and MGK are "not alike", with the Cleveland native having praised Em effusively for being not only an influence, just the greatest rapper ever.
Em's tolerance was being tested, for he knew he was walking into a trap, of sorts. "Rap Devil" is fire, and universally well-received. And though it warranted a response, doing so would only give MGK exactly what he wanted (if not needed). He acknowledged every bit much on his revealing interview with Sway.
Jay Z told us this tale years ago: "Expect, if I shoot you, I'k brainless/But if y'all shoot me, then y'all famous/What's a nigga to do?" The supernova that is Eminem'southward popularity adds a layer of drama to the situation. A rebuttal of whatsoever kind is a victory for MGK; Eminem was in a no-win situation, and he knew information technology.
The "Rap God" rapper said he would exercise patience, merely we all knew the emcee in him wouldn't let this slide.
Comparing these rappers and their diss records fairly is much more than difficult than it appears on the surface.
The overall popularity factor matters, as does Eminem'south tenuous grip on the respect of many Black hip-hop fans (a topic previously dissected on the HHSR Podcast). Though he has legions of fans overall, the drivers of the civilization have go increasingly dissatisfied (somewhat unjustly) with the piece of work from the Fire Marshall. Even many of those who enjoyed Kamikaze didn't love information technology.
But 1 tin't deny the brilliance of Eminem calling out the hypocrisy of Kelly'due south own diss tape (MGK literally said "Yeah I'll acknowledge you're the GOAT"), comparing him to "Stan" and invoking the famous line "And here's an autograph for your daughter (brother), I wrote it on a Starter cap." Nor can we deny Eminem saying Kelly "Spent the whole 24-hour interval shooting a video merely to fucking dig your own grave", and arguably the diss record'south most strong bar: "In a land of bliss 'cause I said his goddamn proper noun/Now I gotta cock back, aim/Aye, bitch, pop Champagne to this! (pop)/It'south your moment/This is it, as big as you lot're gonna get, so enjoy it/Had to give you lot a career to destroy information technology."
This was more than than but clever wordplay and a jab at his opponent's career success…this shit really happened!
😈 moving picture.twitter.com/h6LcUZTAa1
— 😈 (@machinegunkelly) August 31, 2018
In spite of all that, those who walked in expecting Em to obliterate Kells were likely disappointed. "KILLSHOT" falls brusk of the "No Vaseline" and "Ether" grade, which are reasonable, notwithstanding lofty expectations to accept of Em. And "Rap Devil" still holds up even after the fume cleared. MGK had amend production, more intensity and a dope chorus, which actually makes it a song, unlike his idol's diss.
Determining "who won" ultimately falls on the ear of the beholder. What do you look for in a diss tape?
If yous're searching purely for bars, Eminem's diction remains second to none. But if you find yourself coming back to less technical things similar passion, cogency and that feeling that only comes from a supreme diss record, y'all probably rock with "Rap Devil" more.
It's impossible to judge this beef without also coming back to expectations. We all expected Em to trunk MGK, but Kelly's lyricism, though maligned in the past (Who could forget his see with Charlamagne?), was met positively by most. Even Em said information technology was "not bad, for him". And because Marshall doesn't exactly have a longest runway tape of going at other legitimate emcees, fans were left wanting more.
Interestingly, the rap world stands in conflict today over "Rap Devil" vs. "KILLSHOT", when in actuality, the best combination of beats, rhymes and potency was probably Em's verse on "Not Alike".
Remember "Not Akin"??
Shady gave Kells two:fifteen seconds of burn, and nobody seems to remember it. Maybe Eminem should've never made "KILLSHOT" and nosotros would've been left to compare "Not Alike" to "Rap Devil". Imagine if he put out something of "KILLSHOT" quality offset, so a vocal of "Non Akin" quality in response? What would people be maxim today?
As information technology stands, "KILLSHOT" will be the one to become downwardly in the history books as beingness measured against Car Gun Kelly. The proficiency displayed by Eminem betwixt his 2 songs is plenty to remind everyone that he remains in the upper-upper echelon of emcees, well above MGK'south pay course, and proved he'south still non afraid to pace in the band and throw hands. Merely Kells still had the better song, and more importantly, successfully gained whatsoever added notoriety he may take been in search of (Is information technology any coincidence MGK appear he's dropping a new EP next week?).
MGK will certainty have a few extra confined for Em on his Binge project, but chances are while most rap fans will give his new tape a heed, they won't count whatsoever new diss to the win/loss cavalcade. The truth is, rap beefs tend to only be remembered by 2 or three songs max—nosotros've already heard the best from these two men. But the fundamental is Kells will have gotten them to listen.
The winner of the boxing volition be disputed for years, as a legit instance can exist made on either side. But make no mistake: Automobile Gun Kelly won the war.
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Source: https://www.hiphopsportsreport.com/gods-devils-bars-shovels-who-won-the-eminemmgk-rap-beef/
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